Global大好き!いろんな情報集めちゃぉ

＜p＞＜em＞Dionysus Resurrected＜/em＞ analyzes the global resurgence since the late 1960s of Euripides’ ＜em＞The Bacchae＜/em＞. By analyzing and contextualizing these modern day performances, the author reveals striking parallels between transformational events taking place during the era of the play’s revival and events within the play itself.＜/p＞ ＜ul＞ ＜li＞Puts forward a lively discussion of the parallels between transformational eventsduring the era of the play’s revival and events within the play itself＜/li＞ ＜li＞The first comparative study to analyse and contextualize performances of ＜em＞The Bacchae＜/em＞ that took place between 1968 and 2009 from the United States, Africa, Latin America, Europe and Asia＜/li＞ ＜li＞Argues that presentations of the play not only represent liminal states but also transfer the spectators into such states＜/li＞ ＜li＞Contends that the play’s reflection on various stages of globalization render the tragedy a contemporary play＜/li＞ ＜li＞Establishes the importance of ＜em＞The Bacchae＜/em＞ within Euripides’ work as the only extant tragedy in which the god Dionysus himself appears, not just as a character but as the protagonist＜/li＞ ＜/ul＞画面が切り替わりますので、しばらくお待ち下さい。

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